The Open Athenaeum

✶ The Study Deck

Temperance

Trump XIV of the greater arcana

Waite & Colman Smith, 1909 · described 1911

A winged angel, with the sign of the sun upon his forehead and on his breast the square and triangle of the septenary. I speak of him in the masculine sense, but the figure is neither male nor female. It is held to be pouring the essences of life from chalice to chalice. It has one foot upon the earth and one upon waters, thus illustrating the nature of the essences. A direct path goes up to certain heights on the verge of the horizon, and above there is a great light, through which a crown is seen vaguely. Hereof is some part of the Secret of Eternal Life, as it is possible to man in his incarnation. All the conventional emblems are renounced herein.

So also are the conventional meanings, which refer to changes in the seasons, perpetual movement of life and even the combination of ideas. It is, moreover, untrue to say that the figure symbolizes the genius of the sun, though it is the analogy of solar light, realized in the third part of our human triplicity. It is called Temperance fantastically, because, when the rule of it obtains in our consciousness, it tempers, combines and harmonises the psychic and material natures. Under that rule we know in our rational part something of whence we came and whither we are going.

the plate, in waite's words · the painted card will hang here in time

In divination

Economy, moderation, frugality, management, accommodation.

Reversed: Things connected with churches, religions, sects, the priesthood, sometimes even the priest who will marry the Querent; also disunion, unfortunate combinations, competing interests.

The library's note

An angel of no fixed sex pours a fluid between two chalices, one foot on land and one on water, the square and triangle of the septenary marked on its breast. Waite sets aside "all the conventional emblems" along with their conventional readings, offering instead a plainer claim: this is "some part of the Secret of Eternal Life, as it is possible to man in his incarnation." The name itself he calls fanciful, given only because the figure "tempers, combines and harmonises the psychic and material natures" wherever its rule holds. The card later rhymes with Judgement, both studies, in Waite's own linking, of life beyond death.

a young page · the keeper's voice pass on the note is still to come

Doors Onward

Sources & Further Reading

  1. Waite, A. E. (1911). The Pictorial Key to the Tarot. Card text quoted verbatim, his punctuation kept. (Public domain.)
  2. Card described at: http://sacred-texts.com/tarot/pkt/pktar14.htm

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